Every October I love to watch a new horror movie everyday. Some days I sit with my kiddos and we watch a classic movie that I loved as a kid, like Hocus Pocus or The Nightmare Before Christmas. Other days I want something visceral, maybe some body horror. Still other days I want psychological scares, or those movies that everyone is talking about, but I just haven’t seen yet.
So for this year, we have watched, or at least attempted to watch something scary or Halloween themed every night. Our list so far is:
I have been challenging myself this year to read a book a week. Since beginning this challenge, and exposing myself to many genres or literary novels. I have found some real gems that I would like to share what we can learn from their genius works. The first one I would like to discuss is Station Eleven by Emily St. John Mandel. Without further ado, here is my Station Eleven book review.
This book falls into the dystopian genre, if you wanted to put it in a genre. However, it is more literary in the way that it was written. It begins with the end, if you will. The way that it is written, is what I would call non-linear. It is something that would take most readers by surprise. I think that most people have an expectation of a linear storyline, they want A, B, and C to happen in order, and then X, Y and Z wrap the story up at the end. That is how a normal story will advance, and what a reader expects. This story doesn’t work that way, but it does work.
Station Eleven Book Review
Categories
The story doesn’t choose to focus on a single character. It works by running through several categories. Each category starts off a section. The section will have characters, these characters may or may not know each other. They may or may not have been introduced in other sections. Each category brings up some important part of the world that we are learning about. We learn important tidbits quickly, like how the gasoline went bad. How people have to travel by foot.
Other categories take us back in time, tell us how the world ended. Some of them talk about before the end.
All the important characters, have lives that weave in and out of each others. The beginning of the book starts with a death, it’s this person’s death that is the glue that all the rest of the character’s lives spin off of. This is a moment that affects not only the world of the novel, but all the character’s lives.
Writer’s takeaways
The way that this book is written is very unconventional. As I said earlier, it’s not linear, it’s in categories. Each category is important to the world of the book. In addition to the categories, the book centers around characters that have rich backstories that the book discusses in detail. The book is interested in the ways in which each character handled the end of things, which varied, depending on the age of the character. The book also uses the end of the world to study the ways in which people will continue to gather, the ways in which smaller societies will develop as larger infrastructure crumble.
I think it is worth studying this type of work, looking at non-linear storytelling and how well it can work when it’s done right. And then looking at how important it is to care about the characters, even in a story with high stakes. A person’s life may be on the line, but, you need to care about them in order for it to matter.
Thank you for reading my book review of Station Eleven by Emily St. John Mandel. Please let me know what you thought of the book, and if you think it was amazing as I did, Thanks!
A thriller novel is all about action, suspense, unexpected twists and high stakes. Each scene moves into the next, and the descriptions are pared down and spare.
Thriller Novel
Thrillers are more about the plot rather than character. I’ve talked about character driven tales. Thrillers aren’t these kinds of stories. When writing a thriller, plot twists, and action scenes, and page-turning prose are the most important part. Emotional insight takes a back seat to twisty plots.
The thriller lives right next door to a mystery, a horror and a crime novel. It has a tendency to blend elements of all of these novels, often beginning with a crime (often a murder) and then having the protagonist become victimized by the antagonist for most of the book, while they are trying to solve a mystery so that they can overcome the villain before the book ends.
The nice thing about the thriller being a blend of several genres is that there is a little more wiggle room. If you are into mysteries, but you also like a good suspenseful book, then thriller is the way to go. You may even think you have a crime novel, only to start querying and find out that it’s a thriller. A good way to figure out this is to have your beta readers give you an idea where they think it fits, if you aren’t sure.
Photo by Andreas Marquardt
This genre of story often has a ticking clock. There is a very serious problem that has to be solved or else. The clock is constantly ticking, causing the reader to turn those pages to get to the end.
Word Count
The thriller word count is around 90,000 to 100,000 words. These can be a little longer than other genres, because of the expected complexity of the plot.
Thanks for reading. Let me know if you like this, or if you have any thoughts about writing a thriller novel, or if you would like to read something different! Thanks!
Historical fiction has special rules. Because of this, you’ll need to ask yourself a couple questions when you first decide to write in this genre. The first question would be if you are writing far enough in the past to be considered historical. The answer to that question, which I found here; is you need to be writing at least 50 years in the past.
Photo by Digital Buggu
The second question, which is a bit more complicated, is does your work fit in another genre? Sometimes you are telling a story that’s really literary fiction, just set in the past, or maybe it’s really women’s literature, again just set in the past. If the thing that the story is about is how the people in that time lived and worked, and of course there is a story there–then it’s historical fiction. But, if the story is really about how the words cascade like a waterfall down the page, how they live and breathe for themselves; then it’s probably literary. Or if it’s about a woman who would not give up no matter the odds, then it may be a women’s literature piece. Or, if it’s really more about the romance than anything, well… I mean, I think you get it. You probably get it.
Another thing about the historical novel, is the readers are very picky about the details. So, you have to do your research and get it right. Whatever timeframe you are writing in, it has to be accurate. It’s very easy now to read something that you think may not be exactly correctly and then check it, so you, as a writer in the genre, has to be better at checking everything than your readers could ever dream of being.
Let’s talk word count. For Historical fiction, the length is a bit longer, they come in around 100,000 to 150,000. Take that however it makes you feel.
Thanks for reading about historical fiction requirements. If you are looking for information on a different genre, check out literary, kid lit and Religious publishing requirements. There will be more information to come on the other genres shortly. Thanks!
For the first post on genre, I will go over children’s literature (or kid lit). We’ll talk about the requirements for each category within this varied genre. Without further ado, let’s talk about genre: children’s literature.
This genre is unique, in that children (not even young adults) don’t determine what they read. There are librarians, teachers and parents who look over each book and decide if it’s appropriate for the audience before they get a chance to read it.
The genre is also broken down by age. We have infants, the books in the case of small babies are for parents to read to their children. Then, we have toddlers and young children who are still read to. It’s only after children begin school that they start reading on their own. Once they are in school, books start out easy and then get more difficult as their reading levels increase. I go into detail for each age below:
Board Books
Board books are designed for infants and toddlers, before they can read. The children at this time are called “pre-readers.” The word count is 300 max, some having 10-20 words. They should have no more than 10 pages. Board books are heavy on illustrations and convey early learning objectives such as colors, or numbers.
Picture Books
Picture books are designed for young children. The children who these books are for are around ages 2-7. They word count expectations are no more than 900, with 500 or fewer being best. 32 pages is standard, but there can be a max of 56. Picture books are also designed to be read to the child. It should one plot, one question to the child, and answer the question and resolve the plot at the end. Most of all, it should be very simple.
Easy/Beginning Readers
Easy readers are for children who are just learning how to read on their own. They are for children between 5 and 8 years old. The word count expectations are from 750-1,500 words. They introduce beginning readers to the concept of chapters, they have slightly more words than a picture book. They present one concept, idea, or theme to a beginning reader. Furthermore, they are usually lighthearted in tone.
Chapter books in children’s literature are written for children around 7-10 years old, and are meant for children who are becoming fluent readers. The word count expectations are 4-12,000 words. Chapter books are not typically longer than 100 pages. These books begin to get into the more complex world of story, we begin to see setbacks, possibly a subplot. The sentence structures are more complex, but the paragraphs remain short, at two to four sentences long. There are few to no illustrations. The protagonist is normally 8 to 9, as this is the upper limit for children who read these books, and children typically read about children who are older than they are.
Middle Grade
Middle grade books are for children who haven’t yet started middle school yet, typically children 8-12 years old will read these. The word count expectations are 20-40,000, depending on the publisher. They are over 100 pages. Middle grade books have longer chapters than chapter books (above). Will not have any illustrations. The content categories are similar to adult books (mystery, thriller, etc.) Series are very popular with middle grade readers. Any intense content will push the book up into another category (YA comes next).
Young Adult
Young adult books are for ages 12 to adult. Word count expectations are 40-75,000. Content categories are the same as adult books, they read like adult books. Young adult books are often coming-of-age stories. A lot of identity stuff takes place in the young adult literature world, which makes sense. There are books about first loves, first heartbreaks, finding yourself after loss. These things are fantastic to have in this world, because the kids going through these things need a way to identify what is happening to them isn’t unique, and yet it is unique because they are all unique people who need works of fiction to help them through their time.
So, there are all the kid lit categories, in one place. I decided to make this post because I keep seeing people asking if the query for their 100,000 word YA book is any good. Which, yeah, I’m sure that the query is fine. However, the book is too long. I know that there are probably a million of these. But, I just wanted to add my part. Make sure that I am another place where people can get the information they need. Hopefully one day someone will see this, and they will realize that they can’t have a world count of 300 for a Board book or something. And then, my life will be complete.
Thanks for reading! Let me know if you would like to see more of this, or if you need different stuff.
This post is the first in a series where we discuss each genre in depth, so that you can have an understanding about each genre and the expectations for each. But, before we do that, let’s think about why this information is important? Genres, what are they, and why is it important to know your genre and the expectations that the audience has when you write in it?
Starting with an example. Let’s say you want to write a horror novel, but you decide to subvert those expectations, and make it from the point of view of the killer. Totally fine, seems like a great idea. But, if you don’t understand that the genre has expectations to start the atmosphere of dread early on in the story, that you are supposed to be giving your audience that delicious rush of anxiety and adrenaline as they worry if their favorite character is safe; you may fall into the mistake of creating a happy atmosphere instead of one that stokes the dread in the story. Your killer may be excited about what they are doing, but that isn’t the right tone for a horror novel.
Let’s start with a list of the different genres and a brief summary of what each one is:
Before we dive into the genres, I am going to say that my list is generalized, and I will put as much information into each specific post for each genre, but this is a brief overview of the general genres.
Children’s Fiction
Literary Fiction
Historical
Young Adult
Religious
Western
Thriller
Action-Adventure
Comedy
Crime and Mystery
Fantasy
Sci-Fi
Romance
Horror
There are a lot of sub-genres for each genre. What I will do is go into each genre specifically. I will do an overview of what the genre expectations are for each genre. The general things to know are word count expectations, and then normal plot devices. For example, in a mystery, the readers expect that a person will die within the first chapters of the book, and then that protagonist will be tasked with finding the killer, and they will somehow able to do it when others can’t. A book is not a mystery if there are not several suspects running around with means/opportunity and motive.
Essentially, when looking to publish in any genre, you need to know not only the logistics of what will be acceptable, but you need to know what your readers will enjoy and pick up. There was the brief overview of genres: what are they? Please let me know if you have questions, if you would like to see something else, all of that good stuff. Thanks!
