Writing Inspiration: The Backrooms

This is the third time I’ve posted about writing inspiration. The first two times I talked about how folklore is inspirational to my own writing, and then I wrote about why you may want to look for things that are inspirational for your writing, and times when it’s not a great idea. But for post number three, I would like to talk about a particular piece of folklore that I find bizarre, strange, and something that provides me with writing inspiration.

The Backrooms

The backrooms started as a simple comment on 4chan. The idea is that a person can accidentally ‘noclip’ out of reality. The person then falls into the backrooms. The original comment about the rooms: “If you’re not careful and you noclip[a] out of reality in the wrong areas, you’ll end up in the Backrooms, where it’s nothing but the stink of old moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms to be trapped in
God save you if you hear something wandering around nearby, because it sure as hell has heard you” (https://en.wikipedia.org/wiki/The_Backrooms)

indigo abstract painting
Photo by Artem Podrez on Pexels.com

There are a lot of pieces of media about The Backrooms. I find the idea fascinating (obviously, I am not alone). Thinking about a place that is maybe another dimension. But it’s full of empty spaces, ones that are supposed to be filled. The horror of the idea comes from the wrong-ness. Think about walking into your office one day and it’s empty. No people, no office equipment. Just you and the lights buzzing above you, and you can’t find your way out.

They say that the game Control was inspired by The Backrooms. Which I can see. Although, I think the spaces in the game are more haunted or infected rather than empty.

The Backrooms Writing Inspiration

I think that falling into a separate dimension. One that appears empty, but has monsters lurking. It is fascinating, frightening, and ripe for story. The videos that you can find on YouTube all show people fall into The Backrooms. They then wander around as if they are okay with the situation. If I fell into an alternate dimension that was full of empty offices, I would be the opposite of okay.

I wouldn’t wander around until something ate me. But, that’s where good plot lies, it’s in those bad decisions. I think, that if I fell into another dimension. I would scream. And yell. I would ask for help. I wouldn’t wander around unless a lot of time passed. And I was hungry.

Writing Inspiration

There are a million different stories here. There is even a genre. Portal jumping, it’s called, when a person from one place lands in another. The portal that people fall into is malevolent. It wants to kill the people who fall into the world. The only thing that inhabits The Backrooms is a monster.

On my last post, I talked about making a list of things that inspire you. On my list would be The Backrooms. I will go back to it, when I am done with my current project. I’ll think about what I can pull from the idea of The Backrooms, how it can inspire my writing.

Thank you for reading, and please let me know if you would like to know about other pieces of folklore or other things that are writing inspiration to me.

Inspiration Part 2

In my last post, I talked about how I was going to talk about things that inspire me. I feel like it’s a little disingenuous to talk about those things without first talking about why it’s okay to find inspiration or look for inspiration, as long as you have your writing habit.

waterdrops on purple background
Photo by Karolina Grabowska on Pexels.com

First, let’s talk about times when waiting for inspiration may not be a good idea.

  • You have a deadline approaching.
  • You are in the middle of a piece of writing.
  • You are collaborating, and your writing partner(s) need you to write your part, so they can write their part.
  • Your editor/agent/publisher is waiting on your writing.

Essentially, when you have a piece that you are actively working on, you have a deadline, or you have someone that is waiting on you. You need to write, not wait for the inspiration to strike for the perfect piece of writing.

So it’s important to make sure that you have a writing habit when you have deadlines or when other people are counting on you. Because you can’t just sit around and hope to come across something that will inspire your best work in these cases. It’s always good to have the habit ingrained so that when you come to the point where you have to do it, you are already doing it anyway, so you don’t feel like it’s a huge deal to sit down and do it.

When is it okay to wait for inspiration?

  • You are in between projects.
  • You don’t have deadlines.
  • No one is waiting for you to write your piece.
  • You aren’t in the middle of anything.

In my opinion, if you just finished a draft, or you just turned something in. Go ahead and give yourself some time. Take a break. Inspiration should be something that you are constantly gathering while you are working on anything, at any time.

Tuck that inspiration away. Make a list on something. Say a movie had a great world, but it didn’t dive into an aspect, you want to know more. That’s inspiration. Write down the name of the movie. But, do NOT start a new project. Finish your current project, write to the end. Then, when you are done, go back to your list of inspirational things, and see what feels the best, what feels like the story you want to write?

colorful polar lights over snowy mountain
Photo by Tobias Bjørkli on Pexels.com

If you have a list, you can go back to all the things that were inspiring to you, and you can watch them, or read them again, or look at them or whatever, and they can inspire you all over again. It’s important to allow everyday life to be inspiring, and to remember what is inspiring. But it is also important not to just sit and wait, to keep your writing habit and write every day.

So, in conclusion, it’s okay to look for inspiration when you don’t have a writing project. But it isn’t a good idea to wait around for inspiration when you have a deadline and others waiting on you. It is also very important to keep your writing habit and to write every day. So, even if you are in between writing projects, still write something.

Writing Inspiration: Folklore

One of the common pearls of wisdom about writing is to do it everyday. Another is that you aren’t supposed to wait around for inspiration. However, in my experience, writing inspiration is an important piece of the overall writing journey. And I’d like to start discussing this by talking about folklore.

close up photo of purple abstract painting
Photo by Anni Roenkae on Pexels.com

Writing Inspriation

Folklore

Folklore is something that is misunderstood. People think of folklore as the fairy or folk tales, or maybe the old wives tales that were told by the people of “long ago” and while those things can be helpful in finding some types of inspiration; I am thinking about the broader definition of folklore, the one that folklorists use today. The one that says that folklore is the expression of the body of culture shared by a particular groupd of people.

Definition

This definition means that folklore is everywhere. It can be as simple as a song that your work team plays every time a new member is added, or leaves. That is a piece of folklore for your team’s subgroup or group culutre at work. And as a writer, you can stuff that little piece of culutre away for future use in a story.

Writing Inspriation:

Folklore and the Internet

Another place rife with folklore and therefore inspiration is the internet. The internet has memes, which are folkloric, in fact, there are folklorists that study memes, meme-culture and where memes come from. You know those websites that discuss the origins of memes? Those have to have been started by folklorists, because they are fascinated–not only by internet-culture–but specifically by meme-culture. These are people who have masters degrees mind you, and they work “in the field” gathering information. Something to think about. I know I do. There are archives, in libraries gathering information on memes for future generations of academics to ponder and write papers on.

man in under bridge passage
Photo by Emir Bozkurt on Pexels.com

One of the internet places that I find absolutely full of inspirational, and also one that is completely folkloric, is the urban legend. There are almost too many to choose from. Typically, when these were told to one another, it was always someone’s sister’s cousin who heard the thing. But now it’s on websites where these legends begin. I want to take some time to explore the different sites, talking about the inspiration that I’ve found. And how they have inspired me and to what end.

Thank you for reading this far, I am looking forward to diving into the things thave have brought me writing inspiration lately and sharing them.

Station Eleven Book Review

I have been challenging myself this year to read a book a week. Since beginning this challenge, and exposing myself to many genres or literary novels. I have found some real gems that I would like to share what we can learn from their genius works. The first one I would like to discuss is Station Eleven by Emily St. John Mandel. Without further ado, here is my Station Eleven book review.

This book falls into the dystopian genre, if you wanted to put it in a genre. However, it is more literary in the way that it was written. It begins with the end, if you will. The way that it is written, is what I would call non-linear. It is something that would take most readers by surprise. I think that most people have an expectation of a linear storyline, they want A, B, and C to happen in order, and then X, Y and Z wrap the story up at the end. That is how a normal story will advance, and what a reader expects. This story doesn’t work that way, but it does work.

Station Eleven Book Review

Categories

The story doesn’t choose to focus on a single character. It works by running through several categories. Each category starts off a section. The section will have characters, these characters may or may not know each other. They may or may not have been introduced in other sections. Each category brings up some important part of the world that we are learning about. We learn important tidbits quickly, like how the gasoline went bad. How people have to travel by foot.

Other categories take us back in time, tell us how the world ended. Some of them talk about before the end.

stars
Photo by Philippe Donn on Pexels.com

Character Development

All the important characters, have lives that weave in and out of each others. The beginning of the book starts with a death, it’s this person’s death that is the glue that all the rest of the character’s lives spin off of. This is a moment that affects not only the world of the novel, but all the character’s lives.

Writer’s takeaways

The way that this book is written is very unconventional. As I said earlier, it’s not linear, it’s in categories. Each category is important to the world of the book. In addition to the categories, the book centers around characters that have rich backstories that the book discusses in detail. The book is interested in the ways in which each character handled the end of things, which varied, depending on the age of the character. The book also uses the end of the world to study the ways in which people will continue to gather, the ways in which smaller societies will develop as larger infrastructure crumble.

I think it is worth studying this type of work, looking at non-linear storytelling and how well it can work when it’s done right. And then looking at how important it is to care about the characters, even in a story with high stakes. A person’s life may be on the line, but, you need to care about them in order for it to matter.

Thank you for reading my book review of Station Eleven by Emily St. John Mandel. Please let me know what you thought of the book, and if you think it was amazing as I did, Thanks!

Writing Goals, Reading Goals

I am one of “those people,” I make goals. I like to make clear goals for myself. I make goals, and I write them down. There are people who go a step farther and even tell other people about their goals. I don’t want to be the really annoying person who keeps bringing up their goals. I have found a few things that are really important when it comes to actually keeping resolutions, and/or new goals. I would like to talk about writing goals, reading goals, and in general, just making resolutions that matter to you.

red and blue water droplets
Photo by Velroy Fernandes on Pexels.com

Goal Making

Writing Goals

Making writing goals is easy, it’s just like any other goal, right? You can say you’re going to write 1000 words every day. Or you can say that you are going to write 50 words every day. Whatever it is, wonderful.

Now that you have your number goal. Think about time. How much time do you actually have to write every day? Do you have time to write every day? When are you able to write? Is it late at night? Or early morning? On your lunch break?

Once you have an idea of the time you have to set aside for writing. Does this change your number? If you only have a lunch break. You may want to give yourself a lower number, than if you have several hours in the morning.

Writing Goals: Reasons for Writing

Another consideration is the reason you are writing. Are you working on short stories, poetry, blog posts, a novella, a novel? For me, I am currently working on finishing a draft of a novel, and some blog posts. So when I am thinking about my word count goals. I usually have a smaller count for my novel, because I like to make sure I hit it. Then I finish at least one blog post each time I post.

If I were working on short stories or poetry, I would write a draft of a short story each time I sat down to write. I would say that you could probably get a polished story in a week or a month, depending on the length. With poetry, you could write several drafts of the same poem, or several poems in one writing session.

A good idea is to treat a writing goal just as seriously as you would treat learning a new skill, or building a new habit. Because that is part of what you are doing, you need to get into the habit of writing in order to reach those word-count goals.

black and white books education facts
Photo by Pixabay on Pexels.com

Reading Goals

As the old saying goes, in order to be a writer, one must read. So, as the year begins anew, it is important to have reading goals. Personally, I have not had specific reading goals before. Usually I do things like “focus on reading classics” or “focus on reading outside the horror genre.” This year, though, I am doing a 52 book challenge. Which works out to be a book a week.

I think that goals are well done (like I’ve said) when they are written down, when they are specific, and when they are time based. I’m sure that many people have run into this method of goal-setting. I ran into it the first time, actually, at work. I’m pretty sure I rolled my eyes really hard at the concept, but I made the goals that were asked of me, and I don’t think there is anything wrong with trying to move your own life forward purposefully.

A thought on reading goals, when you read widely from authors that write well, that exposure is sure to find its way into your work. It’s like an artist studying celebrated works from Rembrandt or Dali, by investigating how those artists created their art, the budding artist is all the better for it. Their work doesn’t have to be the same as the ones who came before, but it’s okay to be influenced by those you admire.

Resolutions

Making them Matter

Every year, when New Year’s Eve comes around, peoples all over the world will give lip service to what they are looking for in their next year. All of us are looking to be a thinner, wiser, funnier, healthier version of ourselves. But, all of us are also guilty of making resolutions that we don’t care about. So, my advice, is to take some time now, tomorrow, before next new year to really think about what it is that you want to resolve to be. There are a million things out there in a world that you could resolve to do. I believe that what most want to do, and what we resolve to do, are two different things.

So, my challenge to anyone that reads this, is: next New Years, resolve to do something that you would love to do but haven’t yet. Something that will take time to do. Something that is hard to do, but maybe doesn’t cost you anything but time, and you will learn something from.

Writing Action Scenes

Many people enjoy starting a book written en media res, or in the middle of things. Most authors strive to put as much action into their prose as possible. Which is a good thing. However, there are a few tips and tricks to keep in mind when writing those action scenes.

purple chives field
Photo by Magda Ehlers on Pexels.com

The first one is to make sure that if you begin with action, you pay off the promise. What I mean by that, is that if you start your book off with the promise of action, you need to actually get to the action. And, I suggest doing so sooner rather than later. I get annoyed when I read a book that has an action-packed prologue, and then I end up having to slog through 400+ pages before I get back to the action again. You will lose your audience if you do this. You can set up the problem, and make the reader care, all by chapter three. Any more than that, and your action-oriented reader will put down the book and not read anything you’ve written ever again.

Writing Action Scenes

Choreograph

You don’t have to choreograph the fight. Or the war, or the killing, or whatever it is that it bringing on the action. Unless it’s a screenplay, the reader does not need to know everyone’s exact location at every single moment in time. It will be confusing for the reader.

Head-hopping

Do not head-hop while you are in an action sequence. Choose a viewpoint and stick with it, whichever person has the most impact during that moment, or alternatively, who loses the most? Whichever person that is, that is whom you stick with during the entire action sequence. There is no reason to go from your protagonist to your antagonist in the middle of the fight. Even if the antagonist is having some fascinating thoughts. In fact, if you think that your antagonist is more interesting during the sequence. Then, maybe you stick with their viewpoint, if they are a viewpoint character.

It helps to think of the scene as if you had a camera. You can choose to focus on just a few key moments. You zoom in and catch close details, and then zoom out again. But, you can only do this a few times, and you need to pick the times that will best serve your story.

man holding on gray railing
Photo by Javon Swaby on Pexels.com

For example: if someone swings a sword and misses, but also causes the protagonist to lose their balance. At the exact moment that the antagonist is also swinging their sword. It hits the protagonist a blow that injures them badly. You will want to focus on a part of that moment, but which part?

Do you focus on the pain of the injury, the feeling of the sword going in, the blood pouring out? The inability to use a limb afterwards. Or, you could take a depth of field approach, and look at everything. The girl behind the protagonist, how she’s holding a shield and growling. Ready to move forward and kill the antagonist. Just after the protagonist goes down, she rushes forward. At the same time as the other person with the protagonist goes to help him in his moment of need.

Playing with Options

You can always play with different ways of writing action scenes, but the important part is to use a couple of moments of action to focus in on what you want your reader to see. Is the blood important, or the fact that the protagonist learns a lesson about teamwork, and doesn’t try to go forward alone? Or are the antagonist’s reactions more important? Is the fact that the protagonist missed the most important part? Getting to the important part of the moment is the best way to figure out what to focus on, and then after that, you will figure out how to write your scene. Once you know what to focus on, you’ll know your view point character, which details are the best ones to emphasize and which ones to leave out or gloss over quickly.

Summary

To sum up, you need to keep your promises, so if you give them action in the beginning, you need to continue to give action. There is no need to give a choreographed blow-by-blow action scene. Stay in one head. And, finally, figure out what is most important to the scene, and then write about that central piece, whatever it is that the protagonist is going to gain or lose needs to be the main focus, and then go from there.

Thank you for reading this post on writing action scenes, let me know if this is helpful, and if you would like to see more of this same thing, or something different!

Feedback; Getting, Receiving, Believing

At the beginning of this month, I joined a group that is doing a year-long writing challenge. And, as part of this challenge, at the end of this week I am supposed to post up a chapter for feedback. I have the chapter. In fact, this exact chapter has been with a feedback group before. But, I find myself hesitant to post it.

lightning on the sky
Photo by Ayu Shakya on Pexels.com

Feedback hesitancy Reasons

There are a couple of reasons. The first one is simply that I am a little weird about posting my novel writing attempts online. I’ve always heard that if you want to publish traditionally, that it’s a bad idea to post anything online. I think I’ll have to ask the site manager how this idea is handled. The second one is that, this is a new group of people. I haven’t been taking English classes with them, they don’t know my writing style and I don’t know theirs. I have no way of knowing what it was that they were trying to get at when I read their work, and no way to help them find a better way to find the words. How do I know how to trust their feedback? How do I know what they will do with mine?

Why give feedback

I guess the easiest way to answer these questions are to think about my own intentions when I give feedback on a piece. When I give someone feedback, I am always working from the highest idea my mind can get to for the piece. I assume that the person who wrote the piece wants it to be the best that it can be, that they have aspirations of grandeur for their piece. And, even writing that is struggling in one way or another. There is always a glimmer of a story that is trying to come out and breathe. That is where I will go when I give feedback. I find the thread of story, and I will build on the thread. I tend to ignore grammar. The reason why is because that one of my biggest weaknesses, and therefore I don’t want to correct other people’s issues.

Telescope v. Microscope

Also, when we are looking at the story in a rough form, we are using a telescope, we are going really far away to see the big picture, getting at the whole idea from far away. When you are looking through a telescope, you cannot also grab a microscope and address sentence-level issues at the same time. You always want to look at the big picture things, and then move downwards. This is relevant when we are talking about looking at writing in the rougher stages.

Strangers

The other thing that is important, is, since this feedback is going to come from people who don’t know me; I will need to keep in mind that some people just won’t understand my writing. If one person is an outlier and just doesn’t ‘get’ something, that doesn’t mean it has to change. I don’t have to take everyone’s advice. It is important to take in feedback and learn from it, and better my piece from it. But it is also important to kind of figure out what needs to stay and what has to go. A good rule of thumb is if several people are confused or bored by something, then it should be looked into. But if there is just that one person, then you don’t need to look into it, unless it bothers you as well.

black telescope under blue and blacksky
Photo by Lucas Pezeta on Pexels.com

Remember these things

Things to keep in mind when getting feedback from strangers: 1-they don’t know you from Adam (or Eve); so they cannot tell what you were trying to say at any given time. This is a good and a bad thing, while they may not know the best way to tell you as a person what they think you were trying to say; they will be able to tell you if they understood. 2-If the person who is giving you feedback is not doing it from a high level (think telescope, not microscope) they are doing you a disservice, if you are in the beginning stages, that is. I am not done with a rough draft, so that’s why I’m expecting a very high-level regarding feedback. I don’t expect any grammatical corrections. 3-When taking feedback from strangers, you will need to weed out the people that just didn’t get it. There will be people that, no matter how many times you hit them over the head with it, just don’t get it. That’s okay. Take their feedback with a grain of salt. Use the feedback that you see multiple times.

Thanks for reading! Let me know if you have any feedback tips!

Horror-Tober: Horror Movie Madness

So this post does not have anything to do with books or writing AT ALL. But it is merely to “out” myself as a lover of all things Halloween and horror. Which, I suppose, shouldn’t be much of a surprise, if you’ve noticed the kinds of books I usually review or discuss. I do this thing that I like to call “Horror-tober” during which I watch a horror movie every day of the month.

grayscale photography of human skull
Photo by Ahmed Adly on Pexels.com

Horror-Tober

Horro Movie Watching

Last year, I was organized, and I had a calendar at the ready which had the movie for each day on it. That made things really easy, and I was able to just follow my own schedule, watch the movie I scheduled for myself, and it even made it so that my husband and I didn’t have to sit there after an exhausting day and figure out what to watch. Which is nice.

But, this year, right as the month started I caught a bug of some kind, and the bug has yet to let me completely out of its clutches. So, I have yet to get more than a vague list of different types of scary movies together and what streaming service they may or may not be located on. We have had several days when we’ve put a movie on and then changed it because we didn’t like how slowly the plot was moving, or the movie wasn’t doing what it was advertising, so, although I’ve put a movie on every day; I’ve not finished it each time.

Writing Challenge

In addition to this, I signed up for a writing challenge, where I need to make sure to record how many words I write toward my current WIP each day. That is super nice because I’ve made a lot of progress really quickly with that one step. I have had days when I haven’t written, but I am making up that time because I’m paying attention to how much I’m writing, and I am hopeful to have completed that first draft by the end of this year, which was my original goal.

colorful abstract background with lines and lights, for Horror Movie post
Photo by Gradienta on Pexels.com

All the things

To sum up. My Horror-Tober horror movie month is going okay, I can provide anyone with a random list of movies, but I don’t have a wonderful calendar this year though, which is kind of sad. Maybe I’ll put up a final count, like these are the movies we ended up watching. That could be fun. And then I’m super excited about my progress on my draft since joining this writing challenge that requires me to record my word count at the end of the day. I guess, if you are ever wanting to join a writing challenge, but aren’t sure if it’s for you, do it, it’s like when you have to record your miles or your calories or something, you become more aware of them, and so they end up moving in the right direction.

Thriller Novel: What are the Requirements?

A thriller novel is all about action, suspense, unexpected twists and high stakes. Each scene moves into the next, and the descriptions are pared down and spare.

Thriller Novel

Thrillers are more about the plot rather than character. I’ve talked about character driven tales. Thrillers aren’t these kinds of stories. When writing a thriller, plot twists, and action scenes, and page-turning prose are the most important part. Emotional insight takes a back seat to twisty plots.

The thriller lives right next door to a mystery, a horror and a crime novel. It has a tendency to blend elements of all of these novels, often beginning with a crime (often a murder) and then having the protagonist become victimized by the antagonist for most of the book, while they are trying to solve a mystery so that they can overcome the villain before the book ends.

The nice thing about the thriller being a blend of several genres is that there is a little more wiggle room. If you are into mysteries, but you also like a good suspenseful book, then thriller is the way to go. You may even think you have a crime novel, only to start querying and find out that it’s a thriller. A good way to figure out this is to have your beta readers give you an idea where they think it fits, if you aren’t sure.

Photo by Andreas Marquardt

This genre of story often has a ticking clock. There is a very serious problem that has to be solved or else. The clock is constantly ticking, causing the reader to turn those pages to get to the end.

Word Count

The thriller word count is around 90,000 to 100,000 words. These can be a little longer than other genres, because of the expected complexity of the plot.

Thanks for reading. Let me know if you like this, or if you have any thoughts about writing a thriller novel, or if you would like to read something different! Thanks!