At this point, I’ve been playing Elden Ring for around a hundred hours. I’ve beaten the first boss, Margit. And the second boss, Rannela, with her weird egg. And now, I’ve also gone and done a beating [on] Radahn.
I found that the area after Stormveil Castle. The Academy of Raya Lucaria was particularly difficult. I ended up having to farm runes. I did this several times before I was levelled up enough to get through the Academy and those sorcerers.
After the Academy, Caria Manor was relatively easy, and then going into Caelid was scary, but doable.
He was the hardest boss I’ve faced so far. I’m not certain how many times I fought him. I kept jumping off my horse, Torrent. It wasn’t too hard to get the strategy down for fighting him.
The strategy is simple, but the execution is hard. The strategy (at least for me) is to grab all of the NPCs available, and then shoot Radahn with either Loretta’s Great bow or Rock Sling. Keep riding around and keep grabbing the NPCs as they become available. Stay out of his range, run if needed, and shoot at him every chance you get. It was using this method, and by being very careful, that I was finally able to beat him. Every time I got close to him, he would kill me. Using this method, I was able to beat him. If I can beat him, anyone can beat him. It really takes patience and willingness to change your attack method as you figure out what works.
When I finally beat him, it was a surprise. I wasn’t expecting it would happen.
Going into the depths and getting the mimic wasn’t very difficult. This game is weird because sometimes things will be so hard, that I have to find another way, or look up a strategy, but then, other things will be surprisingly easy, and I’ll get through it without a problem. It’s this weird balancing act where sometimes I’m so frustrated at how hard it is, and then I feel awesome because of how good I am.
At this point, I’m in Volcano Manor, but I’m pretty sure I’m not supposed to finish it. I also need to go to the Shaded Castle. And then, I suppose it’s up to the Capital. That’s after the Lake of Rot, once I find that Mushroom outfit, of course.
Right now, I am around a level 40. I wanted to discuss a couple of things that happened between the Castle Morne experience and Stormveil Castle, but I feel like Stormveil ends up coloring everything else. I’ll try to go through everything.
First of all, I still get annoyed every time I think about going all the way through the Castle Morne quest, talking to Irina, delivering the letter to her father, and then she dies anyway? What kind of game is this, what kind of world is this, what is going on?
What is the Story of Elden Ring
Actually, to bring up another point. What is the Lands-Between? Is it Limbo? Are all the player characters dead, but have yet to be judged? Is that why religion plays such a large role in the game? The “lands between” is just such an interesting name. The fact that we are playing as a “tarnished.” What does tarnished mean, how did we get to be tarnished, what tarnished us? I know that all the big bosses are demi-gods. But why were they dead, and why do they now need to be killed?
What is the Lands-Between
Also, what are we doing for the world of the lands between? I’m hoping that these questions will be answered in gameplay. That the story will lay itself out for me to understand. Because right now, I feel like I could make up my own backstory for my character, how they came to be in this limbo, how they died why the lands between is in the state it’s in, and my own story would be just as valid as anyone else’s. However, I’ve heard that the story for the game is in the item descriptions?
So I may check out all the items I have and see what they have to say, what can I piece together. It is kind of intriguing to me to be placed in a game where the only bit of story that’s actually told is the very beginning. And I find it even more fascinating that a world-famous writer collaborated on this game, and there doesn’t really seem to be a scrap of actual story that I can find, so far. I wonder how may GRRM fans picked up the game, expecting political intrigue and to be told a story of a family or anything similar to his work, and then were disappointed when the game made them work for the story.
Stormveil Castle
Okay, I’m going to stop discussing my strange ruminations now. Onto Stormveil Castle.
I surprised myself by being able to beat Margit in one go. I didn’t expect to beat him on the first try and was shocked when it happened.
So when I went into Stormveil Castle, I thought that I was good. I figured I was going to be able to meet every challenge in the Castle, and it would be no problem.
Issues in Stormveil Castle
My first major issue was knight that is inside a door that gets shut behind you when you go in. It took me several tries to beat him. Then, after him, I missed a site of grace, so when I inevitably died, I was back at the outside of the castle again.
Then, the birds. The birds with the exploding barrels. I died to them so many times that my son started making fun of the sound of my character when she’s dying. But I kept on pushing. When I finally made it to the courtyard, I was able to sneak up the stairs and I didn’t have a huge problem with an area that was I really worried about going to.
The next thing that I didn’t realize I needed to be concerned about is the pots. I didn’t know how tough the big pots are when they start spinning. I didn’t die to any of them, but they were harder than I thought they would be to kill.
Another section I went to was the under-part of the castle. I was able to kill the rats just fine, but there was this weird like serpent dragon thing that I died to like three times before I just ran past, and I was able to touch the bloodstain to move Rogier’s questline forward and just leave the area.
I did also kill a giant like a bunch. He was a lot easier to kill than I expected so I did it a bunch.
Beating Godrick the Grafted in Stormveil Castle
When I got to Godrick the Grafted, I did use the warrior princess lady for help, along with my own summon. I was able to beat him after three tries. The first try I got pretty close, the second one he killed me right away, and then the third one I beat him.
At this point, I haven’t played in a couple of days. But the thing is, I looked up where I’m supposed to take Godrick’s great rune, and I have to go back through Stormviel Castle, and I’m just dreading some of those areas. I’ll probably try it out this weekend.
Final Thoughts
I feel like I’m getting better at some things, but I do want to learn more faith magics. One other thing is that I need to find an outfit that will allow me to stand out in battle, because I will get confused as to who I am when I’m fighting.
I am currently sitting around level 34 or so. After I spoke with Kenneth Haight, I decided to go ahead and check out this Fort he needed to be cleared out. I struggled with that a bit, but I was able to get Fort Haight cleared, and I got half of a disc thing.
I then decided to travel down the Weeping Peninsula. I wasn’t ready to take on Stormveil Castle yet.
I enjoyed the area. First, I fought a demi-human in some ruins and got her staff. Then, I went up a tower or two. After that, I was able to finish out a catacomb and fight the boss. This area helped me feel like I was getting the game, I was doing better, I was handling the enemies. Feeling like things were going well.
Meeting Irina near Castle Morne in Elden Ring
As I got closer to Castle Morne, I met a girl with a blindfold on, her name was Irina. She asked me if I’d deliver a letter to her father. I agreed. I hoped that her father would come to her quickly.
When I first entered the Castle, I came across a gigantic pile of burned bodies, with a bunch of feathered demi-humans dancing on their corpses. The demi-humans were not difficult to fight, thanks to the wolf summons that I’ve been using. I was able to kill them after a few tries.
Inside Castle Morne in Elden Ring
After I went up a ladder, things got more difficult. There were some of the demi-humans flying, and I wasn’t sure how to do a jump attack. I just had to make due. I was able to fight my way through. Once, at the top, I found Irina’s father. But, then I remembered that I needed to fight the boss before delivering the letter.
I was very nervous about the boss, because I’d heard that they are the “first real boss” but then other people say it’s not the first real boss. So I wasn’t sure exactly what the difficulty level was going to be. I did summon, and it took two tries, but I got it done. I was very proud of myself. But then, when I went to go back through Castle Morne in Elden Ring to give the note to Irina’s dad, I died like four or five more times, so I guess it all worked out.
Fighting the Boss of Castle Morne
The boss for the area moved strangely, and I think that the best way to go is to be aggressive. I’m finding that that is the way to win fights, to be aggressive, don’t hang back, get in there and swing. I’m sure it’s not going to work with everything, and I’m still figuring out how to get away, but it’s working better than hanging back.
What’s Next
Right now, I need to work on figuring out if blocking is even for me, or if I just need to get better at rolling, and I need to get better at knowing when to use my Ash of War, my heavy attack, my light attack, or my spells.
So that was my adventure working my way through Castle Morne in Elden Ring, I’ll update to discuss Stormveil Castle, but it may be more than one post because it’s a big area, and I’m worried about getting through it in one piece.
I’m a late to the game. As with most things, I’m late to begin playing Elden Ring. I just started the game last weekend, and after I started, I read about a journaling technique that is used to help you learn. So I thought it would be fun to journal my way through. To see if it helps me learn the game. So here I go, journaling my Elden Ring experience.
Journal for Elden Ring
Basic Info
I’m using a Samurai. I’m currently at level 17, and I don’t dare go near anything that looks like a boss of any kind. So far, I’ve talked with Varre (sp?) at the very beginning, and I found Blaidd today. I spoke to a guy who was a bush. I also have my horse, Torrent, my Ashes of War, and my summon. Furthermore, I was able to locate the temple that allows me to get the glorious physick today, as well.
Today’s experience playing Elden Ring
I died a bunch today from falling. I actually ended up leaving a bunch of runes behind because I kept falling in the same spot, and I got sick of getting the runes and then falling again. Generally, though, I am starting to feel a little bit better about fighting. But I don’t dare face anything that is on a horse, or has a name.
I also, when I was going under some ruins, heard someone that needed help. But, I looked and looked, and I couldn’t find them, so I will be going back to that area to see if I can find them. I don’t remember what they said their name was.
I also found the map for West Limgrave, and I got some kind of axe something. Not sure exactly what that is for yet. I was able to upgrade my weapon as well using a smithing stone.
I am trying to make it to Caelid so that I can beat up the white dragon that is sleeping so that I can get a bunch of runes and level up. I also want to make it to a spot that has a big ball that if it falls off a cliff, I get a bunch of runes for as well.
For now, what I would like to be working on, while I’m trying to get to Caelid is to get better at aiming at enemies, because I always forget to do that in the heat of battle. Also, rolling, I need to get better at rolling out of the way or blocking.
Final Thoughts
The other thing, is how do I decide if I want to upgrade Faith or Intelligence? Or Arcane? Or all of them? Do I just find a spell or a weapon that needs one, and then go from there? So many questions. Elden Ring is very big, and I have a lot of questions that I can only answer by going through the process of playing.
I think we’ve all come across a million videos about a shortcut for better bread, or a worksheet to help you outline in ten minutes. I was thinking about this last night, and it occurred to me that no one is arguing for the long way. So, I’m gonna do it. Here you go, an argument for not taking shortcuts.
When was the last time you read an inspirational sports story? Did it talk about the athlete–who has achieved so much in their life. That they decided to call it quits every day a couple of hours early; and how they didn’t show up sometimes? Or did it talk about their shortcuts? No, these stories are always about the amazing perseverance, grit, and endurance the athlete has to reach their amazing level of success.
When you think about your writing goals, are you the kind of person that is looking for a quick fix to put a bandage on a problem for the moment? Or, are you the type of person that is looking to master your craft? The difference in these two ideas is really the difference between the author or the hobby writer.
Mindset Differences: The long way
A person with an author mindset. When faced with setbacks on their writing journey; they will for solutions. For example, if they are mentally exhausted and cannot imagine writing to their 1000 word goal. They may decrease the goal for a time. So, instead of writing 1000, they are writing 200. This may not allow for fast progress. But it will be progress.
A hobby writer may decide to stop writing for a while, or maybe they’ll see if they can find some tips and tricks to help them. But since the writing is a hobby, it’s not that big of a deal if they decide to stop for a while.
When facing negative feedback, or rejection, there is going to be a difference in mindset between the author and the hobby writer as well. When receiving negative feedback, and author will take some time to process and then look back at their work to see if the thing makes the piece stronger. It’s also possible, when faced with several pieces of feedback from different sources, they may sort through them to find the ones that work best with their overall goals.
A hobby writer may find feedback to be a difficult and painful process, they may feel personally attacked or ridiculed. It is not that an author doesn’t feel these feelings. It’s simply that the author can put them aside in order to make their work stronger. The same basic things happen with rejection. The author can take it as part of the process and then move onward. The hobby writer will have a hard time with rejection, and take it as a rejection of themselves as a person.
Finishing a Draft: The Long Way
Once the author has finished a rough draft, they will put it away, and then start the revision, re-writing process after some time has passed, and they have gained some distance from the work. A hobby writer, once they have finished a draft, they may be so excited to revise that they start right away, or they may want to start querying/submitting, or they may even self-publish right away.
Everyone starts somewhere. Everyone wants to use shortcuts/has used shortcuts. The difference between a hobby writer and an author is time, experience, and mindset. It is perfectly fine to be a hobby writer. It is perfectly fine to be an author or aspiring author. My point here is that the long way around is normally the best way to get to where you want to be.
There are no shortcuts for writing and reading. Is there a time when you couldn’t hit your writing goals? What did you set them at so that they felt attainable?
I recently finished a draft of my current work. I also changed computers and am not sure how to get my word processing program to work on my new one. Because I don’t want to worry too much about the draft I had. I knew it was full of problems.I’m going to be rewriting.
Awhile back, I went to a very small writer’s conference (I don’t know if it would really qualify) in my town. One of the classes there was about doing “pancake” drafts. Essentially, you do a full re-write with each draft.
While I don’t want to re-write my project more than once. I will be completely writing the story over now.
Reasons for Doing a Pancake rewrite
I have a couple of reasons for wanting to rewrite the story instead of revise. They are:
One of my main characters is lacking motivation. In order to fix that, I need to change a bunch of stuff.
Sometimes, my characters are just talking, it’s a little boring. I think that I can make those parts more active.
My antagonist needs a better reason to act.
I’m thinking of pulling a POV character, and possibly changing the POV completely.
The idea of a pancake draft is you completely put away your previous draft. Meaning, you aren’t looking at the last draft. You aren’t checking on how things are working out from draft to draft. You are simply going to write again. The nice thing about doing it this way, is that you already wrote the story. You know how it goes; you are just ironing out the kinks.
I would suggest not using a pancake draft if you have a really nice draft that doesn’t have large problems that need fixing. I would also suggest doing it with caution, because writing an entire draft is a lot of work.
Finally, I decided to do a draft this way, not only because I wanted to try it out. But, because I feel like my work has some good things. It has many problems and will benefit from a full rewrite. Let me know if you’ve ever done a pancake draft. If so, what did you think of it? Did you feel like your next draft was stronger?
Stacy Jensen
Stacy has a Bachelor’s degree in English with a minor in Human Resources Management from USU and is currently working on her masters in Learning Experience Design. When she’s not busy with school or her home life, she loves reading all things horror and sci-fi fantasy, and writing, writing, writing.
I finished a first draft of my latest project a little while ago. Ever since I wrote the end, I’ve been both excited to move on, and also scared of the process. I’d like to discuss all the expected steps in writing, and help people realize when they’ve come to the end. First, we’ll discuss the steps, and then how you know if you’ve arrived at your final draft.
This step can take a lot or a little bit of time, depending on which type of writer you are. Even the most seasoned of discovery writers will still have at least some idea of the plot before they sit down to work.
An outline can be as simple as a couple of index cards that have a few vague sentences about your plot. Or as complex as a codex with character backstories and sketches, along with the economy of your fantasy world going back 1000 years.
At the end of the day, the outline should help you get started. They do say that you either spend a lot of time in edits later, or you plan everything in our outline and don’t have to do so many edits at the end to figure out how to make your plot work together.
When you are done with your outline, you move onto…
The zero draft is the draft that you are okay to mess up a bunch. I like the term zero draft, because it feels like, with this draft there are no stakes. One of the best things you can do for your writing habit is to take the pressure off. If you feel like you need to have a certain feeling, or write during a certain time or in a specific location or using something special; you are putting too much pressure on yourself.
If, because you have to be in a certain place or use something specific to write, and you find yourself not wanting to do so because of it. Then, stop. Writing is a difficult and messy process. There is no reason why, if you are thinking about something, not to jot it down anywhere. You can write on and with almost anything. Although, I wouldn’t suggest trying to write the great American novel with blood. Ha.
The zero draft is the first time the story that’s been in your head for so long will come together. Even if you’ve been outlining for weeks and feel like you know everything that will happen, at least in my experience, it will change. The zero draft gives you permission to make the changes, to allow all the messy nonsense to happen on the page.
Then, after you’ve finished your draft, you’ll move onto….
It’s okay for your first draft to be messy. You also want to go through and begin clean up.
It’s always important to think globally before you think locally. By this, I simply mean to fix big problems before you start fiddling with the small ones. So, if you’ve outlined a lot maybe you don’t worry so much how your plot hangs together, but it is important to be aware of all of the big idea items. Make sure that the gun that was on the wall in act 1 is used during the climax in act 3.
After you finish a first draft, you may feel like giving it to an alpha reader. That’s fine. Not necessary, but fine.
When your work is ready to be considered a second draft, it should have a plot that makes sense. It’s okay to still have grammar errors at the second draft.
This means, that during the second draft, you should start working through which characters are doing what and why, does it make sense for the overall plot? You should have a working understanding of all of your characters and their motivations, you should know if it makes sense for a character to run into a dangerous situation, and if it doesn’t make sense but you need it for the plot, then you need to figure out what kind of extraordinary circumstances they would require in order to go into the situation, and then make those present in the work.
Once the plot is in line, and the characters are acting in ways that make sense, you can send the draft to an alpha reader. Still not required, but definitely going to be a good option.
Edits. This is where you will want to start editing. You want your syntax to shine. The words should work together to build the story you are trying to tell. Editing also happens from “big” to “small.” As you’ve gone through the drafting process, you will have already done some editing. The first type of editing, developmental editing, is what you are going through as you get your plot in line, and make sure your characters make sense.
In the third draft, you get more granular. Starting with line editing. Line editing is where you focus on the flow and style of your prose. Then, you’ll want to do proofreading, where you identify and correct your grammar and spelling errors.
Now, it is absolutely time to give the draft to several beta readers for feedback. You can always give them a list of things you are concerned about, and make sure to get feedback on those things. It is not helpful to have a couple friends read your work, and tell you it’s amazing. If you want to feel good, it’s wonderful. But, if you want constructive feedback, you’ll most likely need to find people who are going to be impartial judges of your work. That is the best way to get it to shine
Once you’ve received and corrected the novel as much as you can, taking into mind all the feedback from your readers, then it will be time to send it out to wherever you want it to go.
Every October I love to watch a new horror movie everyday. Some days I sit with my kiddos and we watch a classic movie that I loved as a kid, like Hocus Pocus or The Nightmare Before Christmas. Other days I want something visceral, maybe some body horror. Still other days I want psychological scares, or those movies that everyone is talking about, but I just haven’t seen yet.
So for this year, we have watched, or at least attempted to watch something scary or Halloween themed every night. Our list so far is:
This is the third time I’ve posted about writing inspiration. The first two times I talked about how folklore is inspirational to my own writing, and then I wrote about why you may want to look for things that are inspirational for your writing, and times when it’s not a great idea. But for post number three, I would like to talk about a particular piece of folklore that I find bizarre, strange, and something that provides me with writing inspiration.
The Backrooms
The backrooms started as a simple comment on 4chan. The idea is that a person can accidentally ‘noclip’ out of reality. The person then falls into the backrooms. The original comment about the rooms: “If you’re not careful and you noclip[a] out of reality in the wrong areas, you’ll end up in the Backrooms, where it’s nothing but the stink of old moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms to be trapped in God save you if you hear something wandering around nearby, because it sure as hell has heard you” (https://en.wikipedia.org/wiki/The_Backrooms)
There are a lot of pieces of media about The Backrooms. I find the idea fascinating (obviously, I am not alone). Thinking about a place that is maybe another dimension. But it’s full of empty spaces, ones that are supposed to be filled. The horror of the idea comes from the wrong-ness. Think about walking into your office one day and it’s empty. No people, no office equipment. Just you and the lights buzzing above you, and you can’t find your way out.
They say that the game Control was inspired by The Backrooms. Which I can see. Although, I think the spaces in the game are more haunted or infected rather than empty.
The Backrooms Writing Inspiration
I think that falling into a separate dimension. One that appears empty, but has monsters lurking. It is fascinating, frightening, and ripe for story. The videos that you can find on YouTube all show people fall into The Backrooms. They then wander around as if they are okay with the situation. If I fell into an alternate dimension that was full of empty offices, I would be the opposite of okay.
I wouldn’t wander around until something ate me. But, that’s where good plot lies, it’s in those bad decisions. I think, that if I fell into another dimension. I would scream. And yell. I would ask for help. I wouldn’t wander around unless a lot of time passed. And I was hungry.
Writing Inspiration
There are a million different stories here. There is even a genre. Portal jumping, it’s called, when a person from one place lands in another. The portal that people fall into is malevolent. It wants to kill the people who fall into the world. The only thing that inhabits The Backrooms is a monster.
On my last post, I talked about making a list of things that inspire you. On my list would be The Backrooms. I will go back to it, when I am done with my current project. I’ll think about what I can pull from the idea of The Backrooms, how it can inspire my writing.
Thank you for reading, and please let me know if you would like to know about other pieces of folklore or other things that are writing inspiration to me.
In my last post, I talked about how I was going to talk about things that inspire me. I feel like it’s a little disingenuous to talk about those things without first talking about why it’s okay to find inspiration or look for inspiration, as long as you have your writing habit.
First, let’s talk about times when waiting for inspiration may not be a good idea.
You have a deadline approaching.
You are in the middle of a piece of writing.
You are collaborating, and your writing partner(s) need you to write your part, so they can write their part.
Your editor/agent/publisher is waiting on your writing.
Essentially, when you have a piece that you are actively working on, you have a deadline, or you have someone that is waiting on you. You need to write, not wait for the inspiration to strike for the perfect piece of writing.
So it’s important to make sure that you have a writing habit when you have deadlines or when other people are counting on you. Because you can’t just sit around and hope to come across something that will inspire your best work in these cases. It’s always good to have the habit ingrained so that when you come to the point where you have to do it, you are already doing it anyway, so you don’t feel like it’s a huge deal to sit down and do it.
When is it okay to wait for inspiration?
You are in between projects.
You don’t have deadlines.
No one is waiting for you to write your piece.
You aren’t in the middle of anything.
In my opinion, if you just finished a draft, or you just turned something in. Go ahead and give yourself some time. Take a break. Inspiration should be something that you are constantly gathering while you are working on anything, at any time.
Tuck that inspiration away. Make a list on something. Say a movie had a great world, but it didn’t dive into an aspect, you want to know more. That’s inspiration. Write down the name of the movie. But, do NOT start a new project. Finish your current project, write to the end. Then, when you are done, go back to your list of inspirational things, and see what feels the best, what feels like the story you want to write?
If you have a list, you can go back to all the things that were inspiring to you, and you can watch them, or read them again, or look at them or whatever, and they can inspire you all over again. It’s important to allow everyday life to be inspiring, and to remember what is inspiring. But it is also important not to just sit and wait, to keep your writing habit and write every day.
So, in conclusion, it’s okay to look for inspiration when you don’t have a writing project. But it isn’t a good idea to wait around for inspiration when you have a deadline and others waiting on you. It is also very important to keep your writing habit and to write every day. So, even if you are in between writing projects, still write something.
